Friday, 9 November 2012

Interview - The Devil Wears Prada (October 2012)


The Devil Wears Prada are one of metalcore’s hardest working bands; their constant touring a testament to the message behind the music of the band, who wear their faith on their sleeves and have (in recent years) grown from one of the most exciting heavy acts on the planet into one of the most accomplished. I sat down with two members of the group; Daniel Williams and Jeremy DePoyster, drums and rhythm guitar/clean vocals respectively as the UK leg of their European tour with August Burns Red was coming to an end. 

Welcome back to Bristol! How does it feel to be back? 

D: It feels great.

J: We’ve been here many, many times. In fact, last time the power actually died after our set, so it was an eventful one (laughs).

You’re coming to the end of this UK leg of the European tour with August Burns Red, how has it been so far?

J: Good. Short, but sweet. We’re actually kind of bummed that it’s so short.
D: Yeah, we were surprised that we only have five shows in England and one in Scotland when we normally come for two weeks at a time.



So now onto the rest of Europe! Anywhere in particular you’re looking forward to playing? 

J: Germany is cool. The crowds in Germany are always really good, same with Sweden.
D: Yeah, and Switzerland. Scandinavia is always fun. There are a lot of cool places to play. We’re playing Luxembourg on this tour, which is exciting.

How do the crowds in the UK compare to those in the rest of the world? 

D: The US is our biggest market, but the UK is a close second. They always make the shows here really enjoyable.
J: Metal fans are universal and it’s only Japan where things are really that different. The craziest are from South America; they’re really just on another level.
D: The Japanese are just polite and clap after every song (laughs).
J: South American fans are just nutty, crazy and a little bit scary. They’ll jump on the van as you’re driving away.
D: It’s flattering, though (laughs).

What tracks in particular are the ones that get the biggest reaction from UK fans on this tour? 

D: Well, we’ve been playing a lot of new songs and really seem to be digging those. Not new, new songs but songs from ‘Dead Throne’. No brand new songs yet. We definitely have some but we’re just not playing them.
J: We’ve got some pretty concrete stuff; we’re just trying to build on them.
D: They’re in our secret lair (laughs).


How has the live show of The Devil Wears Prada evolved over the last few years since the release of the ‘Zombie’ [EP] and ‘Dead Throne’? 
 
J: I think as we get a little bit older and the up and coming bands are coming in a little bit younger, we take it more seriously. I think a lot of people have so much emphasis on everything else about their band, fame and lots of other elements, where for us it’s really just about playing music. So that’s inspired us to put on a bigger and better show because nobody cares what we do for 23 hours of the day, so we try to make that 1 hour we spend on stage our main focus.

Do you think 2012 has been the biggest year for the band so far? 

D: Well we released ‘Dead Throne’ in 2011 so I feel like that was our biggest year. This year we haven’t been touring as much, we’ve had a lot of off time, but we’ve been writing. So, big year to come, we hope.


Filming the live DVD for ‘Dead & Alive’ must have been a dream come true. 

D: Yeah, most definitely. We had wanted to do a DVD for a while so it was cool to be able to shoot one the way we wanted to.

How do you decide on a venue for something like that? 

J: We had a few options. We’ve played the States so much that we know the clubs that breathe good music. Worcester (Massachusetts) just worked out timing wise and with the room. We knew that we wanted a big feeling, not just big crowd. We were kind of torn between there and the Electric Factory in Philly, but we leaned more towards Worcester because it’s a really metal town and the crowds are always crazy there.



Was it difficult choosing the tracks to be included on it? 

J: No, we were really focused on just grabbing what we had from the ‘Dead Throne’ tour, so we didn’t change anything. It was just the set we had down in its raw form and we kept it that way.


The tracks from the ‘Zombie’ [EP] really stand out on the live recordings. Was that release a bigger success than expected? 

D: Yeah, definitely. I remember when it was a week before it came out and I was talking to our manager, saying that I’d be stoked if it did 6,000-8,000 records, because it’s an EP. Then we got the first day numbers and we had done 12,000 or something and I was like, woah.

Are there any plans for a follow up to it? 

J: We’ve tossed around things, mainly jokes, but I wouldn’t take if off the table. It’s a good way to be able to write some songs and not have to commit to a full, big thing. We’re just not really into ‘filler’ and every song that we write for a record is intentionally there. When previous records have come out people tend to be like, ‘Well, we need a few more songs’ and we could just put together some chorus/verse/chorus junk but we don’t really have any interest in that.

We touched on it previously, but what stage is a follow up to ‘Dead Throne’ currently at? 

J: We’re definitely putting the pieces in order right now, so we’d be hoping to have something out by next year.

How’s that looking in terms of tone and theme, can fans expect something completely different? 

D: There’s always a lyrical theme to the records that Mike (Hranica – vocals) puts together, but I don’t think it will ever be as apparent as with the ‘Zombie’ [EP], which was very self-explanatory (laughs).
J: Tonally, I guess it will just be a further extension of what we already have. We try and continually build down a path instead of trying to reinvent ourselves as people tend to like our band for a reason, so we don’t want to totally change our sound. I think you should just be the best at what you can be.


Is it exclusively Mike who works on lyrical content? 

J: Yeah, 100%. He’s probably writing on his laptop right now. It’s always been the way he works and it’s always been about how he sees the world, so there would be no point for us to jump in and say ‘Hey what about this?’ (laughs)

It’s common knowledge for fans that at least in the early days of the band you were heavily influenced by Underoath, what are your thoughts about their decision to call it a day? 

J: It’s a bummer, really.
D: Yeah, really bummed about it. They will probably always be a favourite band of mine, even if they don’t exist anymore. They were my first favourite band!
J: I looked at the dates for their farewell tour and for some reason I didn’t think they were going to work out, so that sucks.
D: It’s only 10 shows or something like that.

Finally, what do the next 12 months have in store for The Devil Wears Prada? 

J: Just keeping busy, especially over here (the UK), that’s a really big priority for us. At the start of our career we really didn’t come over very much and a few years ago we made a big decision to make the entire world a big priority, not just America.
D: Playing shows is the priority, because where there’s a want for us we wanna be there. The Devil Wears Prada are touring with August Burns Red and Veil of Maya throughout Europe until November 19th.

Koshiro - Self-Titled EP & Lyrics (2012)



OLD WOUNDS

These scars, from old wounds
I wear them proud, I wear them true
 
DIVIDES


I'll drink myself dead
Before I drink myself stupid
My skin I will shed
Like a snake, I will lose it

Don't lie down before the eyes of God
You won't be judged, like me, upon the cross
The martyrs, liars and the righteous clan (With blood on their hands)

Take from me, and give nothing back
A tower built, but not built to last
Take from me, now I'm losing track
A tower built, on broken glass

Divides, between me and you
I wear my heart on my sleeve
While yours is hidden from view
Divides, between me and you

Take me instead
She's really not worth it
Careful where you tread
I don't boast, no, I prove it

Nightmares come to life and bleed to black
The darkest corners of my Cadillac
I touch your face beneath the red strip light (I'll make it alright)

Take from me, and give nothing back
A tower built, but not built to last
Take from me, now I'm losing track
A tower built, on broken glass

I should accept, the divides we already made
Before the foundations were laid
Before the boundaries were set
And the dirt washed away by the rain
 
MEDICINE


I made the most of what I had
Even what's forced into my hands
And when I land that parting blow
I won't forgive you, no I won't
Contaminated from within
Forgive me mother, for I have sinned
And now I can't take it all back
A twisted mind, a heart attack

Can't say I didn't try
I'd give it all, I'd even give an eye
I'd cast you out, into the night
With this fist of steel and this fist of might
Can’t stop, I’m going mad
I gave to you all that I ever had
And now I can't take it all back
A twisted mind, a heart attack

Take my hand, help me make it out
Take my hand, help me make it out
A pill, a syringe, there's no doubt
A pill, a syringe, there's no doubt

You are the answers, to all my questions
You are my medicine, my medicine
You are the vaccine, for my sickness
You are my medicine, my medicine

I can see through the smoke
Beneath the black and through your cloak
I am the one who's seen the light
You are the truth and you are the guide
Hold me back or I'll cross the line
You help me see when I'm going blind
Cleanse my soul of all my sins
And help me let go of everything

Can't say I didn't try
Beyond the grave, beneath the broken sky
The dead leaves and the ashes grey
There’s warrior I cannot slay
An old wound, an infection
The mirror’s edge, a reflection
Cleanse my soul of all my sins
And help me let go of everything

Take my hand, help me make it out
Take my hand, help me make it out
A pill, a syringe, there's no doubt
A pill, a syringe, there's no doubt

You are the answers, to all my questions
You are my medicine, my medicine
You are the vaccine, for my sickness
You are my medicine, my medicine
(x2)

Reduce me, to a memory
Now you're gone, I know you're all I need
(x2)

It rages on, from deep within
But she holds on to the way we were
(x2)

It rages on, from deep within
She holds on to the way we were
(x2)

It rages on, from deep within
I hold on to the way we were
(x2)

TELEKINESIS


Step up, you're better than this
Cross off a name from the top of your list
Step up; you're not better than me
I may have lost my mind, but not my dignity

Got voices in my head, you'll never understand
They tell me they rely on me, they tell me what they've planned
A power given to me, or did I take it from your hand?
These binds won't hold me, no they won't, I'm making my last stand

You've got it wrong, did all along
From the bottom of my lungs to where you aim your gun
You've got it right, convinced by the edge of a knife
I'm not satisfied; hold onto your head like the grip of a vice
I can play dead, paint the walls with red
I can burrow like a worm into the back of your head
Stay there on the ground, be still don't make a sound
The slightest noise from you I won't allow

I can move mountains with my mind
I can do anything, I won't break my stride
I can split the ground in half, don't ask me why
I can part oceans with a flicker of the eye

Your skull grows bright and hot, singes hair and skin
Cracks like a light bulb, when I signal it caves in
I pull out your spine like a root from the dry earth
And I'll break your neck like paper chains, but I'll disembowel you first

You've got it wrong, did all along
From the bottom of my lungs to where you aim your gun
You've got it right, convinced by the edge of a knife
I'm not satisfied; hold onto your head like the grip of a vice
I can play dead, paint the walls with red
I can burrow like a worm into the back of your head
Stay there on the ground, be still don't make a sound
The slightest noise from you I won't allow

I can move mountains with my mind
I can do anything, I won't break my stride
I can split the ground in half, don't ask me why
I can part oceans with a flicker of the eye

I am a constellation, a cluster of distant stars
I am that feeling you get when danger isn't far
Smoke on the horizon, yeah, it threatens with a curse
Smother me, baby please, you better call the nurse

I am a constellation of distant stars (x2)


BURIED AT SEA

Oh, as I decompose, I wonder what waits for me beyond
I guess I’ll never know
Oh, as my body falls apart, I wonder if I’ll see your face again
I guess I’ll never know, I’ll never know

Pitch black, carve out my eyes
When I get out of here I’ll eat you alive
Once lost, you’ll never find
A floating coffin holds me trapped inside
I gave it all, it was never enough
Even when this ship started to flood
You should have jumped when I told you to
Left me here behind, to rot, to face the truth

And what I never knew, is that I suffocated long ago
I won’t see the sun again, I’ll never leave this tomb

Never leave this tomb
The rope around my wrists itches and burns
I’m different to you, I guess I’ll never learn
Ghouls of the mind come thick and fast
I regret that day, I regret my past

What did I do so wrong?
A priest didn’t even send me on my way
A prayer or two, that would have done
It would have been enough for me to say
I’ve had my time and done my best
My heart goes on inside my chest
But now I can’t leave this world
Not without gold, diamonds and pearls

And what I never knew, is that I suffocated long ago
I won’t see the sun again, I’ll never leave this tomb
I wish I would have known, before you ever betrayed me
Did you place a rose upon this box?
Did you bury me at sea?

Bury me at sea (x4)