Wednesday, 30 May 2012

What I've Been Watching (April 2012)



SOME SPOILERS AHEAD

A slight delay in my review of movies/TV for the month of April due to some very busy weeks in my household! Writing has taken a back seat but I’ll be sure to allow some more time for it in the coming weeks. Here’s ‘What I’ve Been Watching’ in April 2012, including a couple more of 2011’s ‘must-sees’, a brief nostalgia trip with some WWE documentaries and a delve into some classic crime thrillers in the form of the impeccable ‘Training Day’ and the stylish ‘L.A. Confidential’.

 









The Epic Journey of Dwayne ‘The Rock’ Johnson (2012)

The world of WWE (or WWF as it was known during my time in love with it) doesn’t have the grab it had on me when I was 13. Back then, it could do no wrong, but unfortunately as I approached my late teens I couldn’t become as engrossed with the new characters and storylines as I could back in the day when my wrestling hero, The Great One, was whooping asses all over the ring. That man was Dwayne ‘The Rock’ Johnson and this recent release charted his rise from college football player to competing in the family business of sports entertainment, the World Wrestling Entertainment. The documentary included The Rock, his family, his co-stars, opponents and admirers, discussing the legend of the wrestler, his rise to the top and his move to the world of Hollywood. It was a great nostalgia trip for me to witness some classic matches that remained lodged in my memory and experience the excitement of said moments over again. It was a great watch for current or former fans of the WWE and a decently put together documentary. 7.5 / 10.


The Darkest Hour (2011)

Alien invasion action thriller ‘The Darkest Hour’ really is something, and that is in no way a compliment. The Moscow set movie follows five people who fight back against an alien race who have attacked Earth through the power supply, meaning that the extra terrestrial race hide in electricity currents as they make their attack. Sound exciting? Well, it’s not. It’s bland, full of both idiotic and infuriating characters that you can’t wait to bite the dust. Even the lead, played by Emile Hirsch, is a big old bore. I really don’t recommend ‘The Darkest Hour’, unless incredibly tedious and poorly executed science fiction is your thing. So if you enjoyed ‘Skyline’, this might be for you. But if that’s the case, please sort your life out. It’s a measly 3 /10, earning the prestigious SHIT MOVIE OF THE MONTH title.



Into the Abyss (2011)

Director Werner Herzog’s documentary about capital punishment in the USA is an illuminating movie where the story of two men on death row is told through interviews with them, the families of their victims and a rousing voiceover from the director himself. It’s a portrayal of life and death through some of the most extreme scenarios and the psychological study neither supports nor condemns the plights of any of those involved, leaving it open for the audience to make their own decision about the eventual outcome of the movie. Unsettling, intense and profound, 7.5 / 10.


Hop (2011)

My two year old daughter stayed with me for the Easter weekend and while we were purchasing some movies for us to watch while stuffing our faces with Easter Eggs, I came across last year’s live-action/animated combo fiasco, ‘Hop’, exploring the tale of the Easter Bunny (voiced by Russell Brand), who is actually a wannabe rock ‘n roll drummer who shies away from his Easter duties and travels to Hollywood to make it big. It’s actually quite amusing in places (I like me a bit of Russell Brand, so his injection of humour was a welcome addition) and it was entertaining enough for the little one with sophisticated animation, big musical numbers and several laugh out loud moments (for her, of course, I laugh in my head, okay?). Good fun, 6.5 / 10.


Shame (2011)

Steve McQueen’s second team-up with actor Michael Fassbender was ‘Shame’, a tale of sex addiction in New York City and a movie that received critical acclaim when it was released at the very end of last year. I will save my thoughts for it in a more in-depth review of it when I post a piece entitled ‘A Deconstruction of – Shame’ next month, along with the long delayed ‘A Deconstruction of – Drive’, my favourite film of 2011. Although if I had seen ‘Shame’ in 2011, it would have been up there with it, as it gets an 8.5 / 10.


Derek – Pilot Episode (2012)

‘Derek’, the latest brainchild from Ricky Gervais, which sees the comedian starring, writing and directing, is an old people’s home set comedy drama where the title character is a staff member with learning difficulties. Now, as many thought before and perhaps still thought after, Ricky Gervais’ portrayal of ‘Derek’ is a risk simply because it puts a person of visible disability up for ridicule. But, truth be told, if you think that, then everything about this pilot episode has gone over your head. It isn’t the behaviour, mannerisms or magnitude of Derek’s personality that is there to be laughed at, it’s the situations he gets himself into (just as David Brent did) that are that are hilarious here. Gervais has been forever testing the boundaries of what is acceptable to laugh at, but really, all he is doing is making light of situations we find ourselves in every single day. If we can’t laugh with those less fortunate than us for that reason alone then we have seriously lost our way with British comedy, because that’s the way we gravitate towards the characters on screen. Anyway, back to the programme because the 30 minutes of ‘Derek’ is as equally heartbreaking as it is hilarious, with some slapstick moments thrown in to increase the appeal. Gervais is competent at creating a believable character with ‘Derek’, while the supporting cast (including Karl Pilkington as a slightly different version of himself) allow Gervais to shine when he needs to. It’s intelligent and sincere comedy, and for anybody who thinks otherwise, suggesting it’s exploitative, please climb gently down from your high horse. ‘Derek’ has now been picked up for a full series, which I am incredibly happy about. The pilot gets a 7 / 10 from me.


Training Day (2001)

The first classic crime caper of the month came in the form of ‘Training Day’, a standout movie for Denzel Washington as he picked up the Best Actor Academy Award for his portrayal of bent cop Alonzo Harris. Now, I love Denzel, but he has never really rivalled the great heights of his role of rogue detective. Much of his recent work is overly similar and in some cases attempts to replicate the visceral style he produces with this role or completely counter-act it, which doesn’t always work. Anyway, I’m not here to discuss Denzel’s career, I’m here to discuss ‘Training Day’, which really is a wonderful ride which shocks as much as it thrills. Narcotics officer Harris takes rookie Jake Hoyt (Ethan Hawke) on a ride along to show him the ropes in an L.A. flush with drugs and violence. Alonzo’s methods of upholding the law are questionable and certainly not by the book, and that’s exactly where he and Hoyt start clashing heads. Sure, it would appear that Alonzo is no villain as the movie progresses, simply a man who gets the job done with a method that doesn’t exactly withhold the law. But it’s as the movie approaches the third act, as several of the twists have gone through the motions that you realise that this man really is an evil bastard. That’s what won Denzel the top acting prize for this role, because Alonzo keeps us guessing, which is exactly what we should be doing in a movie like this. ‘Training Day’ is essentially a fairly straightforward tale of honesty and decency triumphing when all the cards are down, but it’s pushed into the further realm of being a classic movie by memorable moments, quotable lines and a devastating antagonist. 8.5 / 10.


Kidulthood (2006)

Noel Clarke has done me some terrible injustices in the past (his writing/directing turn in ‘4.3.2.1’ created one of my least favourite movies of all time, and his appearance in ‘Doghouse’ reminds me to never watch a movie where the leading man is Danny Dyer), but back in 2006 he wrote a film that was pretty important to a certain generation of British people, who loved the realism and grit of ‘Kidulthood’. The movie depicts a group of youngsters during an eventful day in West London. There is violence, drug taking, partying and a lot of cameo appearances from actors who have made big names for themselves in recent years. It’s not my usual type of movie, but it was executed well enough to make it feel both believable and not a complete vanity project for Clarke. 6 / 10.


Adulthood (2008)

The sequel to ‘Kidulthood’ thrusts Noel Clarke into the main role (as he continues to write/direct) but unfortunately it just doesn’t have the same punch as the original. Some of the characters from the first movie return but it’s hard to get on board with any of their reasoning for some of the actions they decide to take in this one. It’s a decent enough follow-up, but doesn’t rival anything that was previously done. Now THIS does feel like a vanity project for Clarke, which is perhaps why I found it fairly bad. 5 / 10.


Ghost Rider – Spirit of Vengeance (2011)

If there was any Marvel movie of recent years that didn’t earn a sequel, it was ‘Ghost Rider’, but somehow it got one and unfortunately for the good of both Nicholas Cage and the ‘Ghost Rider’ franchise, the sequel is just as ridiculous. Sure, it’s supposed to be camp and over-the-top with an extra layer of cheese, but I found it difficult to see through all of that and actually find something that was worth my time. It’s just very very average, and that’s all that really needs to be said. Disappointing, Johnny Blaze. 4 / 10.


Beyond the Mat (1999)

Another bite of nostalgia in the form of the WWE came with a classic documentary that I used to own on VHS and watch on a regular basis, ‘Beyond the Mat’. It’s a honest movie about the sport of WWE, getting to know some of the performers, including Mick Foley and Jake ‘The Snake ‘ Roberts, on a personal basis and exploring their reasoning behind their involvement in the WWE and in some occasions, the problems they have faced from being in the public eye. It’s a great look ‘behind the curtain’ of a business that tends to be branded with the ‘fake’ and ‘over-the-top’ stamp all too often. It is, after all, just entertainment, and this documentary shows that just as much hard work goes into it as any other craft. Another great watch for fans of the WWE and the performers involved, 7 / 10.


Haywire (2011)

A misguided female-lead version of the ‘Bourne’ movies was what ‘Haywire’ struck me as, and seeing as I’m not a fan of those (unfortunately I find it hard to tolerate anything other than small doses of Matt Damon) I certainly wasn’t a fan of this. The story is chucked together, the action is mediocre at best and the inclusion of some huge stars modern cinema (Channing Tatum, Michael Fassbender and Ewan McGregor) leaves them both misplaced and underused. It’s unoriginal and dull, and only gets a 4 / 10 from me.


L.A. Confidential (1997)

Classic crime thriller ‘L.A. Confidential’ is a movie that I’ve somehow been able to avoid all the way up until I got hold of my Blu Ray copy recently, and I’m certainly glad that I finally got to see this great piece of cinema. Set in 1950s L.A., it follows the trials of three very different cops and their challenges working s close to Tinseltown and the corruption (in both the movie business and the police force) that threatens to make upholding the law a very difficult task. With star turns from the good cop (Guy Pearce), the hot-head (Russell Crowe) and the sleazy (Kevin Spacey), this noir tale is full of mayhem, brutality and plot twists. It keeps you constantly on your toes and is a real thrilling watch. ‘L.A. Confidential’ gets a brilliant 8 / 10.

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